SETI bioastro: Fw: Eames Office Newsletter February 2003

From: LARRY KLAES (ljk4_at_msn.com)
Date: Sat Mar 01 2003 - 06:59:13 PST

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    ----- Original Message -----
    From: bern
    Sent: Friday, February 28, 2003 9:40 PM
    To: bern_at_eamesoffice.com
    Subject: Eames Office Newsletter February 2003

    Dear Friend of the Eames Office,

    Once again this newsletter has made it just under the wire (February
    is such a short month!). I promise we'll get it out earlier for
    March. Fortunately, I don't think we've sandbagged any of the events
    by waiting too long. In terms of news, there are a few things going
    on, but I wanted to focus on two.

    First, we have a few of the limited edition Gold Leaf Anniversary
    tables on display at our gallery. These were ones that we did in
    honor of the 50th anniversary of the building of the Eames House.
    This is the same design that is in the alcove of the Eames House
    living room. Parke Meek (who used to work at the Eames Office for
    many years and now has that very cool storefront Jadis on Main Street
    a few doors down from the gallery) told some of us at the gallery the
    story behind the finish on this table. Originally, Parke said,
    Charles was pursuing a certain kind of look from polished brass as
    the surface of the table. But no matter how many times they did, it
    just wasn't right--so finally they just put gold leaf over the whole
    thing and it has lived at the Eames House ever since. Because of
    that uniqueness, it seemed the proper way to celebrate the Eames
    House. Working with Herman Miller, we made a numbered edition of
    500. There are still some relatively low numbers available (in the
    200s) but we can only promise for sale the numbers that are on the
    floor at the gallery when you are here. Needless to say, the table
    is extremely beautiful but also quite hefty (because of the
    materials). One is tempted to say that pound for pound it is one of
    the best furniture values around, but the understated dignity and
    elegance is its real wonder.

    Second, in London at the Curzon Soho Theater, there is going to be an
    Eames film festival at the end of March (March 21 and 22; call the
    theater for details) showing a whole program of films on hirez
    projection DVD (just saw some Eames films screened this way and they
    look wonderful on the big screen), including A Communications Primer,
    Banana Leaf, Johnny Peer's Clown Face, Atlas, Symmetry, SX-70.
    Kepler's Laws, A Computer Glossary and Polyorchis Haplus as well as a
    few others. Johnny Peer's Clown Face is an excerpt from the Eames
    film Clown Face (the training film that Charles and Ray made for
    Ringling Brothers Clown College). What is interesting is that
    Charles would often show it with Polyorchis Haplus (about a small
    jellyfish) and the film Symmetry as part of a "symmetry reel" in his
    lectures. They were all brief illustrations of ways people encounter
    symmetry. So it is nice that the Curzon Cinema has reunited these
    films for their show.

    Banana Leaf is also a rarely seen film and was considered as a
    possible Math Peep Show for the Mathematica exhibit. Banana Leaf is
    a kind of parable which begins with the statement that in India the
    lowest in class eat off of Banana Leaf. But as you move up the
    economic ladder, there is a thing called a tali, which can be made of
    clay or bronze or silver or even gold, but when you reach a certain
    level and a certain kind of enlightenment, the highest in caste eat
    off of a . . . Banana Leaf. I have always found the fact that Eameses
    originally conceived the film Banana Leaf as a kind of math vignette,
    a wonderful comment on how they saw things. The film was never
    finished and the film being shown is a close to final cut.

    Another rarely seen film on show is the film A Communication Primer,
    from which I took the title of my book An Eames Primer. This film is
    remarkable for a number of qualities: it is their first film with
    their (soon to become) dear friend and collaborator Elmer Bernstein
    as composer; it was the film that introduced the Eameses to IBM;
    parts of it are were made for the Sample Lesson for a Hypothetical
    Course presentation; but above all is their first film to be a kind
    of essay. They literally envisaged it as a way to teach the tools of
    communication to architects and designers. I am often asked at my
    talks if Charles and Ray would make it in today's world and I think
    the answer is clearly yes. No one asked them to make A
    Communications Primer, they saw a need and filled it themselves.
    Paradoxically, by doing it for such pure reasons, it ended up
    teaching potential clients and partners about the breadth and value
    of the Eames Vision.

    Hope to see you around the gallery

    thanks

    Eames Demetrios

    Eames Events
    PRODUCT OF THE MONTH:
    Gold Leaf Anniversary tables (see main body of the newsletter for
    more). to see what one looks like
    http://www.eamesoffice.com/catalog/detail.php?category=128&prod_id=43

    CURRENT EAMES EVENTS:
    THE WORK OF CHARLES & RAY EAMES: A LEGACY OF INVENTION
    Artium in Vitoria Spain
    January 23 2003 through May 4 2003
      http://www.artium.org

    THIN SKIN: THE FICKLE NATURE OF BUBBLES, SPHERES, AND
    INFLATABLE STRUCTURES
    A traveling exhibition curated by Independent Curators International
    exploring our existence on Earth includes the classic Eames film,
    Powers of Ten.
    McAllen International Museum
    McAllen Texas
    January 25 through March 30 2003
    http://www.mcallenmuseum.org

    LUCY'S HOUSE
    A film by Eames Demetrios (2002)
    Recycled materials, including carpet tiles, used in building
    structures by Rural Studios.
    A r c h i t e k t u r z e n t r u m W i e n
    Museumsquartier - Museumsplatz 1
    A - 1070 V i e n n a
    A U S T R I A
    T++43 1 522 31 15 Ext.32
    F++43 1 522 31 17
    http://www.azw.at

    NEW FILM PROGRAMME
    Communication Primer: The Films of Charles and Ray Eames.
    Curzon Soho, 93-107 Shaftsbury Avenue,
    London, England
    March 21/22

    The Eames Office is dedicated to communicating, preserving, and
    extending the work of Charles and Ray Eames.

    Copyright 2003 Lucia Eames dba Eames office. For personal use only.
    You may feel free to forward it to your friends in its entirety.



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